Non-linears, non-sequiturs, and CAN
29/12/2009Okay kiddos, kiddies, ex-kids, big kids, and everything in between! Today we’re gonna talk about a little band called CAN.
But first I must preface this whole thing (as usual), starting with the fact that I really did try to come up with some sort of comprehensive list for the ending of the decade and what have you. But it quickly dawned on me that I haven’t even listened to enough records that were released in 2009 to even compile a top 10 list. In addition, I can’t even sort out or remember everything I’ve listened to this year. Story of my life!
So then I thought really hard again (as years go by, this becomes increasingly more difficult), and thought I came up with this grand theory of how music becomes so personal to people, becoming “the soundtrack” to their lives as they say, that certain genres and artist become personalized markers on everyone’s individual chronology/timeline of growing up. AND THEN, I was gonna just share stories of which artists my friends, family and loved ones have introduced me to, which have shaped my musical taste to date. But goddammit, then I realized, “Hey, that’s fucking BOOOOORRRRING, and oh yeah, there’s really no point to this whole thing.” And yeah, I also realize that maybe I’ve just lost my mind too. So alas, I stared straight into the center of the cyclone of chaos where nothing made sense, and just said to myself, “Just fucking pick ONE band, or ONE genre, or just anything singular!” And there you have it folks. I chose Can.
CAN (Communism, Anarchism, Nihilism—how awesome of a backronym is that!) was an incredibly brilliant German experimental band from the late 60’s—1968 was there starting year, to be exact. They were one of the very first krautrock bands; which basically meant they just said a big “FUCK YOU” to American musical influence, and stripped things down to a more minimal sound, and incorporated more world music into a psychedelic stew. (Psychedelic shit is a running theme in my posts if you haven’t noticed..Mom and Dad are proud, I know). Anyway, another thing that set Can apart from a lot of bands, was the fact that they used free improvisation and editing almost on the regular, to the point where they coined the term, “instant compositions.” Sponteneity as the impetus for genius. I like!
In addition, Can has laid the groundwork and influenced so many different artists spanning different genres, including: avant-garde, experimental, underground, ambient, new wave, electronic music, and post-punk. Dude…The Fall, Siouxsie & The Banshees, Joy Division, David Bowie, Talking Heads, The Stone Roses, Sonic Youth and Radiohead have ALL cited Can as an influence. If that’s not epic shit, I don’t know what is, man.




